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Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture) de Michael Veal

Descripción - Críticas 'Veal has written the first comprehensive overview of (dub's) development up to and including the digital music that followed dub's analog innovations... Veal does an excellent job of explaining, analyzing, and describing sounds. He also connects dub's influence to hip-hop, dance, electronica, and other modern genres, demonstrating how many dub tricks are still being used today in various incarnations. Readers will especially appreciate Veal's excellent Appendix of Recommended Listening, which includes catalog numbers that will make these recordings easier to find... (T)his is certainly the best and only book on dub music; highly recommended for all academic and public music collections where reggae music is popular.'--Library Journal'This extraordinary book, with its rich interpretation of the aesthetics and social significance of dub, constitutes a dramatically original contribution to the study of Jamaican popular music, and should be a landmark in popular music studies as a whole.'--Peter Manuel, professor of ethnomusicology, John Jay College and CUNY Graduate Center 'Veal's wise volume has rescued Reggae music at last from the tentacles of exoticism. This is a glorious affirmation of dub's rebel, Creole spirit.'--Paul Gilroy, Anthony Giddens professor of social theory, London School of Economics 'Veal has written the first comprehensive overview of (dub's) development up to and including the digital music that followed dub's analog innovations... Veal does an excellent job of explaining, analyzing, and describing sounds. He also connects dub's influence to hip-hop, dance, electronica, and other modern genres, demonstrating how many dub tricks are still being used today in various incarnations. Readers will especially appreciate Veal's excellent Appendix of Recommended Listening, which includes catalog numbers that will make these recordings easier to find... (T)his is certainly the best and only book on dub music; highly recommended for all academic and public music collections where reggae music is popular.'--Library Journal 'Veal deftly outlines the sociopolitical context in which dub arose, and explains how the cut-corner, make-do economics of the Jamaican record business led to a maximization of materials: song begat deejay version(s) beget dub(s)-at least three products for little more than the price of one... Where Veal's book steals a march on the competition is in his technical analysis of how Tubby, Perry, Thompson, Sylvan Morris, and other mixing engineers adapted (and creatively abused) the equipment in studios... He also analyzes a number of tracks by each of the principal dub engineers under discussion...to show the transformation of song to version and dub, all of which is illuminating...(H)e provides valuable information as to where these tracks may be found... (T)his is an extremely bold and interesting book.'--The Wire Reseña del editor When Jamaican recording engineers Osbourne 'King Tubby' Ruddock, Errol Thompson, and Lee 'Scratch' Perry began crafting 'dub' music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae's 'golden age' of the late 1960s through the early 1980s. Dub involves remixing existing recordings-electronically improvising sound effects and altering vocal tracks-to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub's development and offering the first thorough analysis of the music itself, author Michael Veal examines dub's social significance in Jamaican culture. He further explores the 'dub revolution' that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Biografía del autor MICHAEL E. VEAL is a musician and professor of ethnomusicology at Yale University. He is the author of several books, including Fela: The Life and Times of an African Musical Icon and Dub: Soundscapes and Shattered Songs in Jamaican Reggae.

Detalles del Libro

  • Name: Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture)
  • Autor: Michael Veal
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 11 MB
  • Tipos de archivo: PDF Document
  • Idioma: Español
  • Archivos de estado: AVAILABLE


LIBRO Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture) de Michael Veal PDF ePub

Dub: Soundscapes and Shattered Songs in Jamaican Reggae ~ Dub: Soundscapes and Shattered Songs in Jamaican Reggae Music Culture: : Veal, Michael: Libros en idiomas extranjeros

Dub: Soundscapes and Shattered Songs in Jamaican Reggae ~ Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture) (English Edition) eBook: Michael Veal: : Tienda Kindle

Michael Veal - Dub. Soundscapes and Shattered Songs in ~ Michael Veal - Dub. Soundscapes and Shattered Songs in Jamaican Reggae - 2007 - 9780819565716.pdf - Free ebook download as PDF File (.pdf), Text File (.txt) or read book online for free.

DUB SOUNDSCAPES AND SHATTERED SONGS IN JAMAICAN REGGAE PDF ~ Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal. A great insider look at dub music, in terms of the personalities behind it, the times that formed it, the influence it had, and musical make up of the dub pieces themselves.

DUB SOUNDSCAPES AND SHATTERED SONGS PDF ~ Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal Some great bios and stories of the key players in dub are the highlight of this book. The author takes pains to mention that there has never before been a book dedicated solely to the genre of Dub, and I am very grateful that the subject has been taken up and that this book osundscapes.

DUB SOUNDSCAPES AND SHATTERED SONGS PDF ~ DUB SOUNDSCAPES AND SHATTERED SONGS PDF - Winner of the ARSC's Award for Best Research (History) in Folk, Ethnic, or World Music ()When Jamaican recording engineers Osbourne. Michael E. Veal, Dub:

RubADubStyle-BethLesser / Reggae / Jamaican Music ~ Soundscapes and Shattered Songs in Jamaican Reggae - 2007 - 9780819565716.pdf Henriques, Julian - Sonic Bodies. Reggae Sound Systems, Performance Techniques and Ways of Knowing (2011)

db0nus869y26v.cloudfront ~ El reggae es un género musical que se desarrolló por primera vez en Jamaica hacia mediados de los años 1970.Aunque en ocasiones el término se utiliza de modo amplio para referirse a diferentes estilos de música jamaiquina, por reggae se entiende en sentido estricto un género musical específico que se originó como desarrollo de otros anteriores como el ska y el rocksteady.

Reggae Soundsystem: Original Reggae Album Cover Art: A ~ Covering about 60 years of Jamaican music there's a lot to look at. The various periods and styles of music are under their respective chapters and titles, with a short essay on that particular style of music. Simply put--if you're a deep fan/collector of reggae music and/or album cover art--this book is for you.

.mx: Reggae - Géneros Musicales: Libros ~ Compre en línea para Reggae - Géneros Musicales a partir de una gran selección en Libros tienda.

: This Is Reggae Music: The Story of Jamaica's ~ With flair, skill, passion and stamina, Bradley (Reggae on CD) fluidly traces Jamaican music's odyssey from the pure energy of 1950s Kingston's open-air sound system scene to the eruption of homegrown ska, the "smooove of Rocksteady," reggae's depth; holding his nose for digital/ragga/ roughneck, he regains optimism for the emergent new roots genre.

Bass Culture: When Reggae Was King: Bradley, Lloyd: ~ For me, what makes Bass Culture so compelling reading, is NOT just Lloyd Bradley's impressive knowledge of Reggae music, it is also his incredible knowledge of the country of Jamacia itself. Jamaica was the country that gave birth to Reggae music, the first music of this country's youthful musical expression.

Dub - Wikipedia ~ Dub Origini stilistiche Ska Rocksteady Reggae: Origini culturali Giamaica, attorno al 1967 come variante del lounge/techno reggae.: Strumenti tipici : mixer, delay, riverbero, chitarra, basso, batteria, organo, melodica, sintetizzatore, tastiera Popolarità Largamente popolare negli anni settanta, soprattutto in Giamaica, paese d'origine, e Regno Unito, in particolare fino agli anni novanta.

(reggae) : definición de (reggae) y sinónimos de (reggae ~ El reggae es un género musical que se desarrolló por primera vez en Jamaica hacia mediados de los años 1960.Aunque en ocasiones el término se utiliza de modo amplio para referirse a diferentes estilos de música jamaiquina, por reggae se entiende en sentido estricto un género musical específico que se originó como desarrollo de otros anteriores como el ska y el rocksteady.

Dancehall: The Story of Jamaican Dancehall Culture By Beth ~ This definitive study of the 1980s Jamaican Dancehall scene features hundreds of exclusive photographs and an accompanying text that capture a vibrant, globally influential and yet rarely documented culture that has been mixing music, fashion and lifestyle with aplomb since its inception.

Reggae - Wikipedia, la enciclopedia libre ~ Early reggae, también conocido como skinhead reggae debido a su popularidad dentro de esa subcultura inglesa de clase obrera, fue el primer reggae que existió después del Rocksteady, comenzó hacia finales de los años 60; a medida que la influencia de la música funk de sellos estadounidenses como Stax comenzó a penetrar en la forma de tocar de los músicos de reggae.

/ Dancehall: The Rise of Jamaican Dancehall Culture ~ 配送商品ならDancehall: The Rise of Jamaican Dancehall Cultureが通常配送無料。更にならポイント還元本が多数。Lesser, Beth, Baker, Stuart作品ほか、お急ぎ便対象商品は当日お届けも可能。

Rub-a-dub - Wikipedia ~ Il rub-a-dub è uno stile di musica reggae, in particolare del dancehall reggae, emerso tra le fine degli anni settanta e i primi anni ottanta.. Il rub-a-dub può essere intesa come l'"early dancehall dei dj", ovvero quella parte dell'early dancehall (la prima era dancehall, sviluppata tra la fine degli anni settanta e primi ottanta), presentatasi come l'erede diretto del dj style (quindi con .

Dancehall: The Rise of Jamaican Dancehall Culture - Livros ~ Dancehall is a culture that encompasses music, fashion, drugs, guns, art, community, technology and more. Born in the 1950s out of the neighbourhood jams of Kingston, Dancehall grew to its height in the 1980s before a massive influx of drugs and guns made the scene too dangerous for many.

/ This Is Reggae Music: The Story of Jamaica's ~ 配送商品ならThis Is Reggae Music: The Story of Jamaica's Musicが通常配送無料。更にならポイント還元本が多数。Bradley, Lloyd作品ほか、お急ぎ便対象商品は当日お届けも可能。

Reggae - kiwixmo.ideascube ~ El reggae es un género musical que se desarrolló por primera vez en Jamaica hacia mediados de los años 1960.Aunque en ocasiones el término se utiliza de modo amplio para referirse a diferentes estilos de música jamaiquina, por reggae se entiende en sentido estricto un género musical específico que se originó como desarrollo de otros anteriores como el ska y el rocksteady.

Reggae: una cultura supersónica (y III) - Acuarela Libros ~ A King Tubby se le considera el padre del dub, un subgénero del reggae en el que, . · Chang, Kevin, y Wayne Chen, Reggae Routes: The Story of Jamaican Music. Temple University Press, Filadelfia . Michael E., Dub: Soundscapes & Shattered Songs in Jamaican Reggae. Wesleyan, Middletown (Connecticut), 2007. · Walker .

Audio Culture: Readings in Modern Music: ~ Audio Culture: Readings in Modern Music attempts to map the aural and discursive terrain of vanguard musical culture today. Over the past few decades, a new audio culture has emerged, a culture of making and thinking about music and sound that disregards conventional categories and oppositions still operative in the academy and the mainstream music industry alike.